Wave motion and superposition: WACE Year 12 Physics Unit 4
“Apply the wave model to the wave equation, superposition, standing waves, resonance and beats”
Every periodic wave obeys . When two waves overlap their displacements add (superposition), and when a wave reflects and interferes with itself in a bounded medium you get standing waves at the natural frequencies. Resonance occurs when a driving frequency matches a natural frequency, and beats arise when two close frequencies superpose.
What this dot point is asking
WACE wants you to use the wave model quantitatively, combine overlapping waves by superposition, and explain standing waves on strings and in air columns, plus the related ideas of resonance and beats. The unifying tool is that displacements add point by point, while the wave speed is fixed by the medium.
The wave equation
For any periodic wave the speed, frequency and wavelength are linked by
where is in hertz and in metres. The frequency is set by the source; the speed is set by the medium. So if a wave passes into a new medium and slows down, its frequency stays the same and its wavelength shrinks. The period is .
Superposition
When two or more waves meet, the resultant displacement at each point is the vector sum of the individual displacements. This is the principle of superposition. Where crests align with crests the waves reinforce (constructive interference); where a crest meets a trough they cancel (destructive interference). After overlapping, the waves pass through unchanged.
Standing waves
A standing wave forms when a wave reflects and superposes with itself in a bounded medium, producing fixed nodes (zero displacement) and antinodes (maximum displacement). Only certain wavelengths fit the boundaries, giving a discrete set of harmonics.
For a string fixed at both ends, length must hold a whole number of half-wavelengths,
The same applies to a pipe open at both ends. A pipe closed at one end must have a node at the closed end and an antinode at the open end, so it holds odd quarter-wavelengths and only odd harmonics are present,
Resonance
Every system has natural frequencies (its harmonics). When an external driving force oscillates at one of these natural frequencies, energy transfers efficiently and the amplitude grows large: this is resonance. It explains why a guitar body amplifies a plucked string and why air in a tube sings at particular pitches.
Beats
When two waves of slightly different frequencies and superpose, the amplitude rises and falls periodically. The number of these loudness pulses per second is the beat frequency,
Musicians use beats to tune instruments: the beats slow and vanish as two notes are brought into unison.
Fundamental, third harmonic and tuning beats
A string of length carries waves at and is fixed at both ends.
Fundamental frequency ():
Third harmonic ():
If this string is sounded with a tuning fork, the beat frequency is
so you hear four pulses each second until the string is tuned.
Constructive and destructive interference in detail
The principle of superposition is the engine behind every interference effect in the unit, so it pays to state it precisely. When two waves overlap, the resultant displacement at each point and instant is the algebraic sum of the individual displacements. If the waves are in phase (path difference a whole number of wavelengths), crest aligns with crest and the amplitudes add, giving constructive interference and maximum intensity. If they are exactly out of phase (path difference a half-integer number of wavelengths), crest aligns with trough and they cancel, giving destructive interference and, for equal amplitudes, zero intensity. A crucial point is that the waves emerge unchanged after overlapping; superposition is temporary. This single rule explains two-slit fringes, the nodes and antinodes of standing waves, and the loud-quiet cycle of beats, which is why it is the most important idea to get right in the wave strand.
Choosing the right boundary model
Sketch the standing wave before calculating. Decide whether the medium has two fixed (or two open) ends, which support all harmonics, or one closed end, which supports only odd harmonics with a different formula. The diagram fixes how many half- or quarter-wavelengths fit the length.
A common slip is applying to a pipe closed at one end. A closed pipe needs a node at the closed end and an antinode at the open end, so its fundamental fits only a quarter-wavelength and it produces only odd harmonics with . Using the both-ends formula doubles the predicted fundamental frequency. Always check the boundary conditions and draw the nodes and antinodes first.
Exam-style questions
Questions in the style of SCSA exam questions on this dot point, each with a worked answer. They are written by ExamExplained unless tagged "Past paper"; the year shows the paper a question is modelled on.
WACE 2022-style6 marksA sound wave of frequency travels through air at . (a) Calculate its wavelength. (b) The wave then passes into water, where it travels at . Calculate its new wavelength and explain why the frequency does not change.Show worked answer →
A 6 mark calculation rewards both wavelengths and a source-frequency explanation.
- (a) Wavelength in air
- .
- (b) Wavelength in water
- The frequency is set by the source and does not change on entering a new medium, so .
- Why frequency is unchanged
- The number of wave cycles per second arriving at the boundary must equal the number leaving (cycles cannot pile up or disappear), so the frequency is preserved. The speed changes with the medium, so the wavelength changes to keep satisfied.
Markers reward in air (), the unchanged frequency, and the new wavelength of in water.
WACE 2020-style5 marksTwo tuning forks of frequencies and are sounded together. (a) Calculate the beat frequency. (b) Explain, in terms of superposition, why beats are heard.Show worked answer →
A 5 mark answer rewards the beat-frequency calculation and a superposition explanation.
(a) Beat frequency. , so three beats are heard per second.
(b) Why beats occur. The two waves of slightly different frequency superpose. They drift in and out of phase: when they are in phase the displacements add (constructive interference) giving a loud sound, and when they are out of phase they partially cancel (destructive interference) giving a quiet sound. This regular rise and fall in amplitude is heard as beats, repeating at the difference frequency.
Markers reward and the in-phase/out-of-phase superposition causing the loud-quiet variation.