§-Film, Television and New Media Q&A
QLD · QCAA← Film, Television and New Media
Film, Television and New Media Q&A by dot point
A short Q&A bank for every QLD Film, Television and New Media syllabus dot point. Each question and answer is drawn directly from our worked dot-point page, so you can scan key concepts before opening the long-form answer.
Unit 3: Participation
the ways audiences participate in, contribute to and shape moving-image media experiences
investigating a moving-image media product or practice through the inquiry process for IA1
the contexts of production and use that frame the making and responding to moving-image media
convergence, transmedia storytelling and the spread of participation across platforms and forms
the critique media practice: analysing and evaluating moving-image media products and practices
the role of institutions in producing, distributing and regulating participatory moving-image media
the languages, codes and conventions used to initiate and sustain audience participation
designing and producing moving-image media content across two interconnected platforms for IA2
the production design media practice: planning moving-image media products for intended audiences and contexts
the construction and circulation of representations in participatory moving-image media
the technologies, platforms and affordances that enable audience participation in moving-image media
Unit 4: Artistry
how audiences are positioned and respond to moving-image media, and responding under examination conditions
applying the key concepts to unseen stimulus in the external extended-response examination
the influence of film movements and auteur styles on the development of a maker's artistry
the role of institutions in shaping artistic style, distribution and the conditions for artistry
the languages, codes and conventions of moving-image media used to create meaning and style
the construction of representations and point of view through deliberate media choices
forming and articulating a stylistic intention to guide a moving-image media production
designing and producing a stylistic moving-image media product through pre-production and production
the role of technologies in realising artistry and a deliberate stylistic intention