Visual Arts flashcards
101 HSC Visual Arts cards across 4 modules (50 definitions, 50 key facts, 1 fill-the-gap, 0 formulas). Each session gives you 20 cards, due cards first. Swipe right for easy, left for hard, down for again. Keyboard: Space to flip, 1 to 4 to rate.
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What this deck covers
Case Studies (56 cards, 14 dot points)
- Albert Namatjira: HSC Visual Arts case study (4)
- Andy Warhol: HSC Visual Arts case study (4)
- Banksy: HSC Visual Arts case study (4)
- Brett Whiteley: HSC Visual Arts case study (4)
- Cubism: HSC Visual Arts case study (4)
- Emily Kame Kngwarreye: HSC Visual Arts case study (4)
- Frida Kahlo: HSC Visual Arts case study (4)
- John Olsen: HSC Visual Arts case study (4)
- Margaret Olley: HSC Visual Arts case study (4)
- Pablo Picasso: HSC Visual Arts case study (4)
- Patricia Piccinini: HSC Visual Arts case study (4)
- Pop Art: HSC Visual Arts case study (4)
- Surrealism: HSC Visual Arts case study (4)
- Tracey Moffatt: HSC Visual Arts case study (4)
The Conceptual Framework (17 cards, 4 dot points)
The Frames (16 cards, 4 dot points)
Practice (12 cards, 3 dot points)
Sample cards from this deck
Definition
Albert Namatjira: HSC Visual Arts case study
Define Mount Hermannsburg (1945)
Watercolour on paper. The mission and the ranges behind it.
Definition
The artist: HSC Visual Arts conceptual framework agency
Define Intentions
Why does this artist make work? Intentions can be personal, political, formal, spiritual, commercial, or some combination. Picasso painted Guernica with explicit political intentions; Margaret Olley painted still life with intimate, observational intentions. Intentions can change across a career.
Definition
The cultural frame: HSC Visual Arts core concept
Define Religious context
Sacred and devotional traditions (Renaissance altarpieces, Orthodox icons, Buddhist mandalas), the iconography of religious narrative, the cultural role of religious art across societies.
Definition
Art criticism practice: HSC Visual Arts core concept
Define Audiences
Critics write for varied audiences: the general newspaper reader, the gallery-going public, the art-world insider, the academic. Audience shapes register, vocabulary, and assumed prior knowledge.
Definition
Andy Warhol: HSC Visual Arts case study
Define Campbell's Soup Cans (1962)
Synthetic polymer paint on 32 canvases, each 51 by 41 cm, MoMA New York. The Pop Art breakthrough.
Definition
The artwork: HSC Visual Arts conceptual framework agency
Define Form
How is the artwork composed? Composition, colour, line, mass, and visual language. Form is the focus of the structural frame, but it is also a dimension of the artwork agency.
Definition
The postmodern frame: HSC Visual Arts core concept
Define Appropriation
The use of existing images, often from popular or commercial sources. Roy Lichtenstein's paintings of comic-book panels (Whaam!, 1963), Sherrie Levine's rephotographs of Walker Evans (1981), Richard Prince's appropriated Marlboro cigarette advertisements (Untitled, Cowboy, 1989).
Definition
Art history practice: HSC Visual Arts core concept
Define Stylistic and movement context
Historians group artworks by shared formal features, intentions, and contexts to form movements. Movements provide audiences with a navigable map of art history. But the construction of a movement is interpretive: Pop Art lumps together Warhol, Lichtenstein, Hamilton, and Hockney despite significant differences.
Definition
Banksy: HSC Visual Arts case study
Define Dismaland (2015)
A temporary "bemusement park" in Weston-super-Mare, UK. A dystopian Disneyland parody featuring works by Banksy and 50 other artists.
Definition
The audience: HSC Visual Arts conceptual framework agency
Define Critical audience
Professional critics, curators, and art historians who write about the work. The Robert Hughes, Sebastian Smee, John McDonald layer.